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- THEATER, Page 66Elsinore on The Potomac
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- FORTINBRAS
- By Lee Blessing
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- The most influential play in English, Hamlet, is generally
- taken to show the failure of the Man of Thought. It ends with
- the arrival of the alternative ideal: Fortinbras, conquering
- prince of Norway, a decisive Man of Action. Lee Blessing's
- fascinating new play begins literally where Hamlet ends and asks
- whether Fortinbras proves any better a leader.
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- Much else is on Blessing's mind in this weirdly comic
- piece: Shakespeare's shaky dramaturgy (rescued by friendly
- pirates, indeed!), the meaning of death and the afterlife, the
- ubiquitous enigma of TV. The play lampoons official cover-ups:
- by the time Hamlet's friend Horatio tells people what really
- happened at Elsinore, everyone believes Fortinbras' concoction
- about murderous Polish spies instead. The hero puns bawdily
- about nights with Ophelia's lubricious ghost. But the deepest
- concern is for the shallowness of modern politics.
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- As Fortinbras, Daniel Jenkins enters talking in the
- clipped modern diction of a yuppie warrior -- contemptuous of
- doubt, confident of the power of confidence itself. Dumb luck
- makes him an epic hero. Every country his armies confront
- submits without battle. Then comes disaster just as abrupt and
- irrational: his soldiers all march into the Indus River and
- drown. The man of action, it turns out, is as storm tossed on
- the seas of fate as any man of thought -- and far less equipped
- to handle the swings of fortune. Any parallels to George Bush
- and the gulf war are obviously intentional.
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- The staging is by Des McAnuff, who on Broadway guided
- Jenkins as Huck Finn in the musical Big River and shaped
- Blessing's comedy of U.S.-Soviet relations, A Walk in the Woods.
- This production inaugurates a new main stage at La Jolla
- Playhouse, outside San Diego, where McAnuff is artistic
- director. Neither the architect nor the playwright could ask for
- a more visually seductive showcase.
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- By William A. Henry III
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